Search results

hahah it'd be great, particularly in light of Howard's views on gender and sexuality.

yeah I agree -- she'd be fucking amazing with something a little more alternative, just not... conventional western popmusic. but the hottness and the voice alone should have been enough. she did AMAZING moves in those stilettoes.

i wondered about the ballad repetition too, but i guess it's stylistic, somewhat, so you can't really judge it negatively, but more in terms of what the piece actually is. or something.

lol, you realise the hsc exam is only weeks away now? :) i'll send you my related notes when i type them -- next week sometime. email me with specifics, if you like. (flere_@hotmail.com)

dude they partially make up the key questions-- haven't you been doing them in detail since the beginning of the course??

COURTNEY WAS HOT SHE SHOULD HAVE GOTTEN IN!!!

ahahaha, EXCITING!

*laughs in off-hand manner in an attempt to cover the sense of impending doom* -- DOOM.

I wrote my piano composition at 2 in the morning, the day it was due. solo, "impressionist improvisational" piece, recalling Satie's lack of bar lines (in his Gnossiennes); and a lack of whole sense of timing, based on 20th century indeterminacy. fuck I hope they buy such bullshit. haha, :D

my own major work is based within those same ideas. (i wrote a ficto-historical story on a modern-to-postmodern metamorphosis from an intense personal perspective. based a lot in mythology and greek classicism; i used a lot of western philosophical thought.) i can send it to you if you would...

weird that you mention 'anyone touchy about criticism' -- i really think we have every right to be 'touchy' about criticism, particularly if it's not constructive and based more on personal opinion than anything else. reactions to my major work were mixed, but NOBODY gave me criticism that was...

yeah, my journal is quite slim, particularly in comparison to those people in my class that began (and finished) a second journal.

ahahaha, yeah, it scared me off too.

that'd be great! -- i'd love to see it. there's actually a thead for posting major works somewhere in here ("ripping each other to shreds" i think??)

writing sentences like this and splitting structures to fit that common idea that poetry has to be cut into these sections / stanzas to be called poetry. yarr? &, there definately ARE rules and conventions in some forms of poetry -- sonnets, sestinas, etc. i was just wondering...

hey-- can you write freeverse poetry without linebreaks and call it poetry still? whats the law? (i'm not referring to the obvious laws of rhythm / meter / rhyme etc in structured poetry.)

this is somewhat off topic, but did you know that in expositions the thesis is apparently just the INTRODUCTION? i had no idea; i feel like an idiot because of all those times in the past where i asked someone about their "thesis", thinking i was asking them about their argument and / or...

i uh, don't think A-I is based purely on talent anyway; they want popsters who can scream songs out and are malleable enough to fit a number of popular styles.

i wrote a short story... thing. Daemontreu --- extended poems are apparently incredibly difficult to sustain effectively. i'd love to be able to do it.

ohh i really enjoyed reading it! i HATE sci-fi-related stuff usually, but that wasn't bad at all! :)