Okay, well, say you do imaginative journeys for instance.. you have your coleridge poems and your add texts which might be Life of Pi and Life is Beautiful, and stim bk, umm... Atwood's interior journey and frost's the road not taken.. Pick out specific examples from all of them.. like:
- hallucinations -> Coleridge's "Kubla Khan" displays elements of hallucination as does Yann Martel's "Life of Pi"... The importance of this hallucination in relation to imaginative journeys... bla bla bla"
- contemplation -> Frost's "The Road not Taken" uses an imaginative journey to contemplate his life decisions, neither with remorse nor relief, much in the same way that Atwood contemplates the reality of her sanity in an exploration of inner self.. bla bla.. Each of these texts uses contemplation as an integral part of their journeying"
- remorse / relief -> Coleridge's "Rime of the Ancient Mariner" takes on several characteristics of a fable, not least of all with the use of a moral. The imaginative journey takes place in the form of remorse whereas Joshua owes his life to the imaginative journey his father took him on in "Life is Beautiful". Elements of the texts which allude to this are... bla bla bla"
How's that?
Go by similar threads of information rather than text by text and you'll find that its a lot easier to integrate. In your intro, instead of making your texts the main focus, make the elements of an imaginative journey the main focus. After all, these texts are there to support your argument, the marker doesn't just want a straight out analysis of each text, incongruous to the next..
Kapeish?
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