Does anyone have any notes on the role of the fool or how the fool is represented throughout various productions?
Also, does it matter if I don't incorporate my readings into my productions? Like, rather than say how a certain production reflects a particular reading, can I do my feminist reading and say how it relates to King Lear in general? Because until today I wasn't aware that my readings had to reflect my productions....
Also, does it matter if I don't incorporate my readings into my productions? Like, rather than say how a certain production reflects a particular reading, can I do my feminist reading and say how it relates to King Lear in general? Because until today I wasn't aware that my readings had to reflect my productions....