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Need Info on Brave New World (1 Viewer)
- Thread starter PyRo999
- Start date
Here is the character guide i had to do:
Director Of Hatcheries And Conditioning
The Director of the Central London Hatchery and Conditioning Centre is the first character we meet; the novel opens with the Director taking a group of students on a tour of the Centre. Note that the Director (Tomakin) is, with but two exceptions, always referred to as the Director. This emphasis on the "function" of the man is appropriate since his primary concern is the production of automatons to populate the Brave New World.
The Director is an Alpha-plus, and because of the importance of his position we might well assume that he is a very intelligent and capable man. His comments during the tour indicate that he is efficient, very businesslike, somewhat officious, and very much concerned with conformity - "The primal and the ultimate need. Stability." In fact, when the World Controller mentions history (a forbidden subject), the Director is somewhat taken aback; he recalls with some dismay the rumors that old forbidden books were hidden in a safe in the Controller's study.
Perhaps one reason Huxley portrays the Director as very conventional and scrupulously correct is to stress the irony of the Director's unconventional behavior apparent in his previous relationship with Linda. Imagine the horror and confusion he felt when everyone realizes that he is a father (horrible word). Because the Director had disgraced himself by the impropriety of his actions, he resigns. Bernard becomes a kind of hero, and we hear nothing of the Director again.
Henry Foster
One of the standard men and women who work at the Hatchery, Henry is proud of his work. He is efficient, intelligent, and, most important, "conventional." Henry does everything he is expected to do and does it well - in every way he is an ideal citizen of the World State. In the bureaucracy of the World State he is the young man "with a future" - he knows what is expected of him and does it. Henry Foster would not be classified as an important character in the novel since he does not initiate or determine action - he is most often seen as Lenina's sometime lover.
Mustapha Mond, A World Controller
As one of the ten World Controllers, Mustapha Mond provides considerable information about the creation and maintenance of the World State. He is an intelligent, capable, good-natured man whose dedication and ability we must admire even if we do not approve. His comments at the beginning of the novel, when he meets the Director and the students provide not only information about his role in the World State but also reveal something of his character.
The World Controller is one of the most important characters because he is the most intelligent and the most knowledgeable - he has read and studied the Bible, Shakespeare, history, philosophy (all forbidden books). As a young Alpha-plus, his own unconventionality necessitated a choice between life on an island (reserved for those who were "too self-consciously individual to fit into community-life") and life in the World State (being "taken on the Controller's Council with the prospect of succeeding in due course to an actual Controllership.") Because the Controller has freedom of choice - a freedom which conditioning normally inhibits or destroys - he is one of the few real individuals we meet in this novel.
In the latter part of the novel the conversation between the Controller and John the Savage is the device Huxley uses to "put across" his own ideas and concerns. When the Controller explains his values and beliefs, his arguments and explanations are clearly and logically presented; his sanity makes the insanity of the Brave New World all the more vivid and frightening. The Controller in many ways represents the intelligent, capable individual who uses his intelligence and capability for unworthy ends.
Bernard Marx
Because he is different, Bernard is the source of considerable speculation and suspicion. He does not enjoy sports (everyone is expected to); he likes to be alone (others like crowds); he is unhappy (everybody else is happy). Bernard doesn't know why he is dissatisfied, why he is different; many of his associates speculate that alcohol was accidentally put in his blood-surrogate while he was still "in the bottle."
When we first meet Bernard we see him as a rebel, a protestor, "an individual." He wants to stand up for his rights, to battle against the order of things. We later learn that Bernard questions the conformity of life in the World State and the values it teaches, but that his dissatisfaction seems to stem from his not being accepted. When he returns from the Reservation with John and Linda, he becomes a kind of hero, the girls who formerly ignored him become attentive, important personages in the World State curry his favor, and Bernard is happy and enthusiastic about his life in the World State.
Huxley indicates that Bernard's protest is not intellectual or moral, but personal and social; he willingly accepts life in the World State when he is accepted. When the novel ends we find that Bernard's fortunes have changed and he is to be deported to Iceland because of his nonconformity. Bernard protests his innocence, begs the World Controller to reconsider, and finally is carried out still shouting and sobbing.
Lenina Crowne
Young and pretty, Lenina is very popular as a sex partner, but she sometimes finds living the motto "Everybody belongs to everybody else" a little tiring. She is a happy, contented, well-adjusted citizen of the World State; she accepts its teachings and values without question. The only disconcerting element in her life is the frustration brought about by her feelings for John the Savage. Lenina finds John attractive and attempts without success to seduce him. She cannot understand his attitude regarding sex even as he cannot understand hers. Fortunately she, like the others, can escape most frustrations and unhappiness by taking Soma.
Lenina is a fairly important character because she is instrumental in bringing about the suicide of John the Savage, although we cannot in any way blame her. (She is a product of the system, and the system is wrong.) Because she is a beautiful, desirable woman, she personifies for John the conflict between the body and the spirit. In a way she repeats the conflict he felt regarding his mother - he is at one and the same time attracted and repelled by the object of his affections.
Helmholtz Watson
Intellectually, socially, and physically the ideal of his Alpha-plus caste, Helmholtz is regarded with some suspicion by his associates because he is too perfect. Like Bernard he questions the conformity of life in the World State and the values it teaches, but, unlike Bernard, his dissatisfaction stems from his feeling that there must be more to life than mere physical existence. Although not as important to the development of the novel as Bernard, Helmholtz is in many ways a more admirable character because, instead of simply talking about what he believed, he acted.
As noted earlier, in this novel Huxley expressed his pessimism regarding man and his ability to save himself; consequently none of the characters is able to bring about change. However, Helmholtz is at least willing to try. When the Savage tries to tell the people they are being controlled, Helmholtz joins forces with the Savage when a melee breaks out. Later he accepts his banishment with considerable aplomb and asks that he be sent to a cold climate since he feels such discomfort might aid his writing.
Linda
Having been decanted and conditioned a Beta and then forced by circumstances to spend some twenty years on the Reservation, Linda offers some interesting comments and contrasts. At the Reservation she is not accepted because her values and beliefs are those of the Other Place - when she returns to London, people find her repulsive and ignore her because she is fat, old-looking and unattractive. Having been conditioned a Beta, Linda cannot understand or adapt herself to life on the Reservation. But since the Reservation does not have the ultramodern medical facilities which help retard physical decay, she has grown old even as the Savages do. Her relationship with John is also ambivalent - she is horrified at the idea of being a "mother" and yet she admits that John has been a great comfort to her. Her death during a Soma-induced stupor finally provides release.
John The Savage
A curious mixture of the "old" world and the "new," John does not belong to either. He is not accepted by the Savages on the Reservation because he is "different," and he cannot and will not accept the life and values of the Other Place (London). Like Bernard, Helmholtz, and Linda, he doesn't belong - he is an alien, a misfit, a "mistake."
John is the most important character in the book because he acts as a bridge between the two cultures, and having known both "ways of life" he is able to compare them and comment on them. His beliefs and values are a curious mixture of Christian and heathen, of "Jesus and Pookong," but, most important, he has a strict moral code. His "old fashioned" beliefs about God and right and wrong (his beliefs closely duplicate Christian morality) contrast sharply with the values and beliefs of the citizens of the Brave New World ("God isn't compatible with machinery and scientific medicine and universal happiness"). It is this conflict between the two value systems that ultimately brings about his suicide.
When we are first introduced to John and the Reservation Huxley makes us aware of the moral conflict, but he also makes us aware of the social and emotional conflicts. The social conflict results from his not belonging on the Reservation; his mother was the white she-dog despised by the Savages. The emotional conflict results from the attraction and repulsion he feels towards his mother - he loves her but finds her promiscuity revolting. And, too her stories of the Other Place (London) fill him with wonder and a vague discontent.
The arrival at the Reservation of Bernard and Lenina and the Savage's subsequent arrival in London contribute to the conflict he already feels. John is attracted to Lenina but feels that such lustful feelings are wrong and must be repressed; Lenina is attracted to John and cannot understand the Savage's reticence and unwillingness to show any interest in her. Finally when John protests his love and expresses his desire to marry her, Lenina considers such an entanglement absurd and scoffs at the idea. But John is unable to put her out of his mind. His love for her finally breeds hatred, and when this hate turns inward upon himself, the Savage hangs himself.
Like the others in this novel, the character of the Savage is not believable. (Huxley was not interested in creating characters; he was interested in expressing ideas.) The Savage speaks too intelligently and reasons too well for one whose education consisted of reading a few books and talking to practitioners of a combination fertility - Penitente cult. Huxley himself admitted the inconsistency. But if we accept John simply as a spokesman in another of Huxley's novels of ideas, he is more than satisfactory.
Because Brave New World is both fantasy and satire, Huxley's characters are both fantastic and satirical. They are exaggerated because the year is A.F. 632; they offer a caustic commentary because more often than not they express what we must recognize are twentieth century viewpoints. At this time (1931) Huxley was completely disillusioned with mankind and with its choice of values or lack of values - he saw no hope for man's ultimate salvation of himself. He expresses his pessimism by offering no glimmer of hope in his novel. None of his characters is able to change or to bring about change.
If any extra info is found on any characters feel free to add it in, make this the most comprehensive guide out
Director Of Hatcheries And Conditioning
The Director of the Central London Hatchery and Conditioning Centre is the first character we meet; the novel opens with the Director taking a group of students on a tour of the Centre. Note that the Director (Tomakin) is, with but two exceptions, always referred to as the Director. This emphasis on the "function" of the man is appropriate since his primary concern is the production of automatons to populate the Brave New World.
The Director is an Alpha-plus, and because of the importance of his position we might well assume that he is a very intelligent and capable man. His comments during the tour indicate that he is efficient, very businesslike, somewhat officious, and very much concerned with conformity - "The primal and the ultimate need. Stability." In fact, when the World Controller mentions history (a forbidden subject), the Director is somewhat taken aback; he recalls with some dismay the rumors that old forbidden books were hidden in a safe in the Controller's study.
Perhaps one reason Huxley portrays the Director as very conventional and scrupulously correct is to stress the irony of the Director's unconventional behavior apparent in his previous relationship with Linda. Imagine the horror and confusion he felt when everyone realizes that he is a father (horrible word). Because the Director had disgraced himself by the impropriety of his actions, he resigns. Bernard becomes a kind of hero, and we hear nothing of the Director again.
Henry Foster
One of the standard men and women who work at the Hatchery, Henry is proud of his work. He is efficient, intelligent, and, most important, "conventional." Henry does everything he is expected to do and does it well - in every way he is an ideal citizen of the World State. In the bureaucracy of the World State he is the young man "with a future" - he knows what is expected of him and does it. Henry Foster would not be classified as an important character in the novel since he does not initiate or determine action - he is most often seen as Lenina's sometime lover.
Mustapha Mond, A World Controller
As one of the ten World Controllers, Mustapha Mond provides considerable information about the creation and maintenance of the World State. He is an intelligent, capable, good-natured man whose dedication and ability we must admire even if we do not approve. His comments at the beginning of the novel, when he meets the Director and the students provide not only information about his role in the World State but also reveal something of his character.
The World Controller is one of the most important characters because he is the most intelligent and the most knowledgeable - he has read and studied the Bible, Shakespeare, history, philosophy (all forbidden books). As a young Alpha-plus, his own unconventionality necessitated a choice between life on an island (reserved for those who were "too self-consciously individual to fit into community-life") and life in the World State (being "taken on the Controller's Council with the prospect of succeeding in due course to an actual Controllership.") Because the Controller has freedom of choice - a freedom which conditioning normally inhibits or destroys - he is one of the few real individuals we meet in this novel.
In the latter part of the novel the conversation between the Controller and John the Savage is the device Huxley uses to "put across" his own ideas and concerns. When the Controller explains his values and beliefs, his arguments and explanations are clearly and logically presented; his sanity makes the insanity of the Brave New World all the more vivid and frightening. The Controller in many ways represents the intelligent, capable individual who uses his intelligence and capability for unworthy ends.
Bernard Marx
Because he is different, Bernard is the source of considerable speculation and suspicion. He does not enjoy sports (everyone is expected to); he likes to be alone (others like crowds); he is unhappy (everybody else is happy). Bernard doesn't know why he is dissatisfied, why he is different; many of his associates speculate that alcohol was accidentally put in his blood-surrogate while he was still "in the bottle."
When we first meet Bernard we see him as a rebel, a protestor, "an individual." He wants to stand up for his rights, to battle against the order of things. We later learn that Bernard questions the conformity of life in the World State and the values it teaches, but that his dissatisfaction seems to stem from his not being accepted. When he returns from the Reservation with John and Linda, he becomes a kind of hero, the girls who formerly ignored him become attentive, important personages in the World State curry his favor, and Bernard is happy and enthusiastic about his life in the World State.
Huxley indicates that Bernard's protest is not intellectual or moral, but personal and social; he willingly accepts life in the World State when he is accepted. When the novel ends we find that Bernard's fortunes have changed and he is to be deported to Iceland because of his nonconformity. Bernard protests his innocence, begs the World Controller to reconsider, and finally is carried out still shouting and sobbing.
Lenina Crowne
Young and pretty, Lenina is very popular as a sex partner, but she sometimes finds living the motto "Everybody belongs to everybody else" a little tiring. She is a happy, contented, well-adjusted citizen of the World State; she accepts its teachings and values without question. The only disconcerting element in her life is the frustration brought about by her feelings for John the Savage. Lenina finds John attractive and attempts without success to seduce him. She cannot understand his attitude regarding sex even as he cannot understand hers. Fortunately she, like the others, can escape most frustrations and unhappiness by taking Soma.
Lenina is a fairly important character because she is instrumental in bringing about the suicide of John the Savage, although we cannot in any way blame her. (She is a product of the system, and the system is wrong.) Because she is a beautiful, desirable woman, she personifies for John the conflict between the body and the spirit. In a way she repeats the conflict he felt regarding his mother - he is at one and the same time attracted and repelled by the object of his affections.
Helmholtz Watson
Intellectually, socially, and physically the ideal of his Alpha-plus caste, Helmholtz is regarded with some suspicion by his associates because he is too perfect. Like Bernard he questions the conformity of life in the World State and the values it teaches, but, unlike Bernard, his dissatisfaction stems from his feeling that there must be more to life than mere physical existence. Although not as important to the development of the novel as Bernard, Helmholtz is in many ways a more admirable character because, instead of simply talking about what he believed, he acted.
As noted earlier, in this novel Huxley expressed his pessimism regarding man and his ability to save himself; consequently none of the characters is able to bring about change. However, Helmholtz is at least willing to try. When the Savage tries to tell the people they are being controlled, Helmholtz joins forces with the Savage when a melee breaks out. Later he accepts his banishment with considerable aplomb and asks that he be sent to a cold climate since he feels such discomfort might aid his writing.
Linda
Having been decanted and conditioned a Beta and then forced by circumstances to spend some twenty years on the Reservation, Linda offers some interesting comments and contrasts. At the Reservation she is not accepted because her values and beliefs are those of the Other Place - when she returns to London, people find her repulsive and ignore her because she is fat, old-looking and unattractive. Having been conditioned a Beta, Linda cannot understand or adapt herself to life on the Reservation. But since the Reservation does not have the ultramodern medical facilities which help retard physical decay, she has grown old even as the Savages do. Her relationship with John is also ambivalent - she is horrified at the idea of being a "mother" and yet she admits that John has been a great comfort to her. Her death during a Soma-induced stupor finally provides release.
John The Savage
A curious mixture of the "old" world and the "new," John does not belong to either. He is not accepted by the Savages on the Reservation because he is "different," and he cannot and will not accept the life and values of the Other Place (London). Like Bernard, Helmholtz, and Linda, he doesn't belong - he is an alien, a misfit, a "mistake."
John is the most important character in the book because he acts as a bridge between the two cultures, and having known both "ways of life" he is able to compare them and comment on them. His beliefs and values are a curious mixture of Christian and heathen, of "Jesus and Pookong," but, most important, he has a strict moral code. His "old fashioned" beliefs about God and right and wrong (his beliefs closely duplicate Christian morality) contrast sharply with the values and beliefs of the citizens of the Brave New World ("God isn't compatible with machinery and scientific medicine and universal happiness"). It is this conflict between the two value systems that ultimately brings about his suicide.
When we are first introduced to John and the Reservation Huxley makes us aware of the moral conflict, but he also makes us aware of the social and emotional conflicts. The social conflict results from his not belonging on the Reservation; his mother was the white she-dog despised by the Savages. The emotional conflict results from the attraction and repulsion he feels towards his mother - he loves her but finds her promiscuity revolting. And, too her stories of the Other Place (London) fill him with wonder and a vague discontent.
The arrival at the Reservation of Bernard and Lenina and the Savage's subsequent arrival in London contribute to the conflict he already feels. John is attracted to Lenina but feels that such lustful feelings are wrong and must be repressed; Lenina is attracted to John and cannot understand the Savage's reticence and unwillingness to show any interest in her. Finally when John protests his love and expresses his desire to marry her, Lenina considers such an entanglement absurd and scoffs at the idea. But John is unable to put her out of his mind. His love for her finally breeds hatred, and when this hate turns inward upon himself, the Savage hangs himself.
Like the others in this novel, the character of the Savage is not believable. (Huxley was not interested in creating characters; he was interested in expressing ideas.) The Savage speaks too intelligently and reasons too well for one whose education consisted of reading a few books and talking to practitioners of a combination fertility - Penitente cult. Huxley himself admitted the inconsistency. But if we accept John simply as a spokesman in another of Huxley's novels of ideas, he is more than satisfactory.
Because Brave New World is both fantasy and satire, Huxley's characters are both fantastic and satirical. They are exaggerated because the year is A.F. 632; they offer a caustic commentary because more often than not they express what we must recognize are twentieth century viewpoints. At this time (1931) Huxley was completely disillusioned with mankind and with its choice of values or lack of values - he saw no hope for man's ultimate salvation of himself. He expresses his pessimism by offering no glimmer of hope in his novel. None of his characters is able to change or to bring about change.
If any extra info is found on any characters feel free to add it in, make this the most comprehensive guide out
http://www.sparknotes.com/lit/bravenew/
also good for a lot of other texts, including most shakespeare
also good for a lot of other texts, including most shakespeare