well, i'd say that the shipping new is pretty traditional in its sructure... linear narrative, chapters... maybe you could talk about that as stepping away from the whole post-modern buzz of globalisation? and similarly, the castle is shot and edited very simply, and intentionally messily. like the editing is very rough, with black spaces in between shots, that you would never see in a big budget film. In that way its' form is again, removing itself from the "global"...
for heaney i'm not really sure... because i dont really understand him at all...
for heaney i'm not really sure... because i dont really understand him at all...