ObjectsInSpace said:
Philosophical plotlines can be very difficult to implement as they tend to be very broad and unless you're very familiar with the concept, I think it would be very difficult to work it into a story, especially one with a word limit of eight thousand (I believe that's what you get). There's no "basic" version of a philsophical argument or a small one, especially of one that would revolve around why someone would commit a crime. You're best to try and take it on from another angle. Philosophy might be an original idea but unless you know with absolute certainty what you're talking about, you could very easily screw it up and get a bad mark.
Agreed.
I do not want to sound harsh, but from the post's you've put forth...
you dont really seem to have even the most basic understanding of any philosophical ideologies.
{i'm not saying im an expert...]
Perhaps you could make a few brief references to a philosophical concept... but u might be better off avoiding philosophical arguments completely..
As Objects in Space mentioned, it's very hard to integrate it within a piece, particularly if you have no idea...
p.s if for ext 1 you're doing revenge tragedy... Euripides 'Medea' could be of use...
Also, objects... 12783910237123910 compositions attempt to put forth Philosophical arguements and fail miserably...
I found a MW that attempted to incorporate Nitzschean themes and completely misinterpreted everything.. [and it wasnt as if it were taking a satirical approach ..]
Maybe you should work on a base story first and then 'enrich it' wiht intertextual references,mythology and the like...