AlleyCat
Singing me and Julio
Fuck.
AMAZING.
that is all that needs to be said on the matter.
SEE IT!
AMAZING.
that is all that needs to be said on the matter.
SEE IT!
its creeeeeeeeeepy...mr_brightside said:Both David and Margaret gave this film 5 stars.
Sounds good. Will see.
If everyone was like you maybe they would have a countryEnteebee said:FUCK!!! OLD MEN?!
i LOVE old men.
HJAHAHAHHAHA FUCK OFF!!!i mean, the hotel scene! the motel scene! the empty street chase! the coin toss! every actor being absolutely at the top of their game!
guy: how did you get in?Enteebee said:HJAHAHAHHAHA FUCK OFF!!!
I prefered the scene in predator where the slut took off her skirt, that was good acting, I really believed she was an easy slut.
I fucking swear you pretentious fucks just like to pick movies that you know no one else will find amazing so you can keep your pretentious little niche. This movie gets 1/5 for me, it would have been 2.5-3 with the same plot if it wasn't drawn out so pointlessly.
HahahahaDO NOT LISTEN TO THE IGNORANT PEOPLE GIVING THIS BAD REVIEWS!!!! They are the people that go to a movie just wanting to see Vin Diesel blow things up, or see Ice Cube babysit. Heaven forbid a movie without a happy ending, one that makes you think about characters and theme. So here's my review:
Just got back from the theater, and I'm already consumed with thoughts on this film. No Country For Old Men is by far the best film I've seen this year, and I'll be damned if it doesn't win an Oscar. Without spoiling anything, the NCFOM is the latest Coen Brothers film which, like all the others, is about people desperately trying to obtain money - and failing. Josh Brolin shines in yet another role this year, and Tommy Lee Jones fit in nicely as a Texas sheriff. But the real show stealer here is Javier Bordem, who plays a psychopathic killer named Anton Chigurh. Let's just say his two weapons are a silenced shotgun and air- compressed gun used to kill cattle. Insane!
I was entranced all the way through the film, from the perfect cinematography, to the nail- biting suspense, and of course the Coens' uncanny attention to detail. It was interesting to me to see a movie with no music throughout, but the silence only perpetuated dread and horror in many of the scenes. We are introduced to a villain so evil and menacing that he makes Hannibal Lector look like a guy you'd have over for tea. The violence is shocking and brutal, the tension unbearable, and dialogue is perfect. While NCFOM is getting phenomenal reviews, the only complaint I've heard, while rare, is about the ending. Come on, how do you expect a Coen bros film to end? All in all, this may actually surpass Fargo as the Coens' masterpiece.
As I sat through the ending credits, I was quite entertained by some of the comments I heard in the theater. I realized that sometimes you can judge everything you need to know about a person by their response to certain films. Examples being if someone were to laugh their ass off during Schindler's List...the type of responses that are so outrageous that you instantly know they are lacking all common sense, taste, and of course respect and dignity. As the credits rolled, this stupid girl in a red shirt stood up and said, "God, that was the worst f-ing movie ever. What a waste of money, so stupid. Worst movie I've seen in my life." A small voice replied, "Did you just watch the same film that we did?" Such a complex film requires deep thinking. While the plot itself isn't too complicated, the characters are multi-dimensional, and the themes are subtle, in a way that some people may not understand. But I have faith in all that read this, faith that we are all beyond the "Fast and the Furious is a good movie" crowd, faith that we can see, appreciate, and understand art in our own way.