we are so close to freedomPls dont
we are so close to freedomPls dont
The futility and superficiality of the Modern world would be apt for both poems, as well as the shift from Modernism to Romanticism (the opening lines of Preludes are ideal for that)does anyone have any like similar thematic links to both hollowmen and preludes in ts eliots poems that arent desire for spirituality and fragmentation of society? im struggling to write a third paragraph/think of a third overarching theme that are in both hollowmen and preludes going insane
I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLER I HATE ELLIOT I HATE SHAKESPEARE I HATE ATWOOD I HATE MILLERThe futility and superficiality of the Modern world would be apt for both poems, as well as the shift from Modernism to Romanticism (the opening lines of Preludes are ideal for that)