katietheskatie
lol
eh, i think strats sound heaps better than telecasters.
but compared to my piece of shit, everything sounds awesome.
but compared to my piece of shit, everything sounds awesome.
Abu Ghurayb said:Can you see any good reason for dishing out a few hundred dollars for a pedal made from components that add up to no more than 20-30 dollars?
It will only be shit if you don't follow the schematics correctly, or do a shit job of soldering it, and you'd have to be a cripple to fuck it up that badly.mr_brightside said:if u actually looked on ebay there not a few hundred, there mostly 50 - 100 bucks.. and i rather pay 20 - 80 dollars more and get a quality boss pedal than make my own shitty one that fucks up....
wahh, yeah post pics man!!!Abu Ghurayb said:Gibsons are fucking nice guitars.
I'd like to get an es335 eventually, or a les paul.
And Purple, I'm working on an octaver/distortion at the moment. I've built a tremolo and a fairly basic feedback loop as well.
I'll post some pics later.
I was only stirring anyway, but I'm increadibly skeptical of that study. I know a bunch of left handers who learned right handed instruments and became extremely good, really quickly. And by the same token i knew a few lefthanders who still suck after years of playing left handed instruments.golfstick said:argh no it's not
people often say that to me
right handers should play left handed then
i read this study this guy did about left handers who had learnt guitar right-handed. as soon as they changed to a left handed guitar it took them about 6 months to get back to the level they were playing right handed and from there they improved heaps faster.
whether it sounds like it should be easier in theory or not, in practice, left handed for left handed is the only way to go if you want to reach your full potential
There is so much coordination involved in picking and the hand picking is typically moving a lot more whereas for the hand doing the fretwork it's always wrapped around the neck of the guitar. yes, both hands need to be precise but the hand doing the fretwork is sort of 'anchored' and that's why you need more control in the other hand (because it's hovering above the strings).
That's my theory anyway.